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Father, Son, and Holy War is a 1995 film by Indian documentary filmmaker Anand Patwardhan. The film is shot in two parts, with the first examining the link between the violence of the Hindu nationalist movement, such as the demolition of the Babri Masjid, and sexual violence against women. The second part looks at the nature of masculinity in contemporary urban India, and its role in encouraging sexual violence. As with other films of his, Patwardhan had to fight multiple court battles in order to force the national carrier Doordarshan to screen the film, a screening which eventually occurred on the orders of the Supreme court. The film received numerous national and international awards, and was also seen positively by critics.