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Sacha Guitry wrote the play on which Le Blanc et le Noir was based, but it was Hollywood-trained Robert Florey who officially handled the directorial reins. While vacationing in the mountains, child-hating Raimu leaves his wife Suzanne Dantes alone in their hotel room while he dallies with the local maidens. Feeling neglected, Dantes accepts the invitation of her neighbor, a celebrated tenor, for a nocturnal rendezvous. She enters the tenor's darkened room, whereupon she enjoys an evening of purple passion with a man whom she assumes is her host. Nine months later, however, Dantes gives birth to a black child -- her lover of the evening had been the tenor's capricious servant! The flustered Raimu scurries about trying to set things right, and in so doing finds out that he genuinely loves children -- whereupon he declares he'd like to become a daddy himself (one can only imagine that Dantes by this time has developed quite a headache). Though racy and risque, Le Blanc et le Noir remains firmly within the bounds of good taste.