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Badlands
Plot Synopsis by Lucia Bozzola

"He wanted to die with me and I dreamed of being lost forever in his arms." A young couple goes on a Midwest crime spree in Terrence Malick's hypnotically assured debut feature, based on the 1950s Starkweather-Fugate murders. Fancying himself a rebel like James Dean, twentysomething Kit (Martin Sheen) takes off with teen baton-twirler Holly (Sissy Spacek) after shooting her father (Warren Oates) when he tries to split the pair up. Once bounty hunters discover their riverside hiding place, Kit and Holly head toward Saskatchewan, leaving dead bodies in their wake. As the law closes in, however, Holly gives herself up -- but Kit doesn't hold it against her, as he basks in his new status as a momentary folk hero. Inaugurating the use of voice-over narration that he would continue in Days of Heaven (1978) and The Thin Red Line (1998), Malick juxtaposes Holly's flat readings of her flowery romance-novel diary prose with the banal and surreal details of their journey. Singularly inarticulate with each other, Kit and Holly are more intrigued by mythic celebrity gestures, as Holly peruses her fan magazines and Kit commemorates key moments before orchestrating a properly dramatic capture for himself (complete with the right hat). The sublime visuals lend a dreamlike beauty to the couple's trip even as their actions are treated casually; Malick neither glamorizes Kit and Holly nor consigns them to the bloody end of their fame-fixated predecessors in Bonnie and Clyde (1967). With the couple's opaque dialogue and Holly's fanzine dream narration, Malick further denies an easy explanation for their crimes. Made for under 500,000 dollars, Badlands debuted at the 1973 New York Film Festival, along with Martin Scorsese's Mean Streets, and was released within months of two other outlaw-couple road movies, Steven Spielberg's The Sugarland Express and Robert Altman's Thieves Like Us. Although Badlands did not make an impression at the box office, its pictorial splendor and cool yet disquieting narrative established Malick as one of the most compelling artists to come out of early-'70s Hollywood.

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Similar Works
Bonnie and Clyde  (1967, Arthur Penn)
In Cold Blood  (1967, Richard Brooks)
They Live by Night  (1949, Nicholas Ray)
Thieves Like Us  (1974, Robert Altman)
Gun Crazy  (1949, Joseph H. Lewis)
Bright Angel  (1991, Michael Fields)
Electra Glide in Blue  (1973, James William Guercio)
The Executioner's Song  (1982, Lawrence Schiller)
Pretty Poison  (1968, Noel Black)
Slow Moves  (1984, Jon Jost)
Other Related Works
 Is related to:    The Honeymoon Killers  (1969, Leonard Kastle)
   Targets  (1968, Peter Bogdanovich)
   Starkweather  (2004, Byron Werner)
   Eat My Dust!  (1976, Charles B. Griffith)
   American Justice: Spree Killers 
   Forbidden Photographs: The Life and Work of Charles Gatewood  (2001, Bill MacDonald)
   Undertow  (2004, David Gordon Green)
   Easy Rider  (1969, Dennis Hopper)
   Frame Up  (1993, Jon Jost)
 Influenced:    Down in the Valley  (2005, David Jacobson)
   The King  (2005, James Marsh)