| Plot Synopsis |
by Hal Erickson |
Eddie Constantine is the principal reason to see Ca Va Barder. Once more, Constantine plays a fellow of dubious ethics who nonetheless does the right thing when necessary. This time, he's trying to find out who's been stealing shipments from a gunrunner pal. Posing as his friend, Constantine plunges into the demimonde of European organized crime. He also runs across an ex-lover, now married to a menacing professional knife-thrower. Even without the obligatory chase and fight scenes, Ca Va Barder keeps jumping from first frame to last. |
| Similar Works |
|
Cet Homme Est Dangereux
(1953, Jean Sacha)
|
|
Je Suis un Sentimental
(1955, John Berry)
|
|
Ça Va Être Ta Fête
(1961, Pierre Montazel)
|
|
Les Femmes d'abord
(1962, Raoul André)
|
|
Les Femmes s'en balancent
(1954, Bernard Borderie)
|
|
Feu a Volonté
(1965, Marcel Ophüls)
|
|
Lemmy Pour Les Dames
(1961, Bernard Borderie)
|
|
La Môme vert-de-gris
(1953, Bernard Borderie)
|
|
Vous Pigez?
(1956, Pierre Chevalier)
|
|
Destination Fury
(1961, Giorgio Bianchi)
|
|
|