With the possible exception of Edward G. Robinson, no actor has so often been the target of impressionists as the inimitable, Hungarian-born Peter Lorre. Leaving his family home at the age of 17, Lorre sought out work as an actor, toiling as a bank clerk during down periods. He went the starving-artist route in Switzerland and Austria before settling in Germany, where he became a favorite of playwright Bertolt Brecht. For most of his first seven years as a professional actor, Lorre employed his familiar repertoire of wide eyes, toothy grin, and nasal voice to invoke laughs rather than shudders. In fact, he was appearing in a stage comedy at the same time that he was filming his breakthrough picture M (1931), in which he was cast as a sniveling child murderer. When Hitler ascended to power in 1933, Lorre fled to Paris, and then to London, where he appeared in his first English-language film, Hitchcock's The Man Who Knew Too Much (1934). Although the monolingual Lorre had to learn his lines phonetically for Hitchcock, he picked up English fairly rapidly, and, by 1935, was well equipped both vocally and psychologically to take on Hollywood. On the strength of M, Lorre…  » Read more